This is my attempt to rectify that, instead of blogging about an interesting link I will capture it here with a brief description. If you find it interesting too why not leave a comment about it. A bit like Digg, but different.
Another first for Nostromo, he has (to my knowledge) created the first 60 fps AMV. He used special software to interpolate extra frames into the Anime to make it effective.
God it's smooth. It might as well be an advert for HD.
24 fps may be the minimum rate for smooth images (in a medium that produces motion blur), but it is clear that the eye can keep up with higher rates.
Probably much higher.
It looks like the Orphan Works Act might be making a comeback.
For those that don't remember the last time (it was defeated in the US Congress back in 2006 thanks to a large body of opposition from artists, photographers, designers, etc.), the act was to amend copyright law such that any work not officially registered would become excluded from most copyright protections.
"Over protecting intellectual property is as harmful as under protecting it. Culture is impossible without a rich public domain. Nothing today, likely nothing since we tamed fire, is genuinely new. Culture, like science and technology, grows by accretion, each new creator building on the works of those who came before. Over protection stifles the very creative forces it’s supposed to nurture."
- Judge Alex Kozinski, Dissenting in the White v. Samsung Elec. Am., Inc., 989 F.2d 1512 (9th Cir. 1993) ruling.
Last Thursday at 11:00 there was an excellent example of the flash mob form in Liverpool Street train station in London where most of the concourse starting dancing. I am calling it an "example of the form" because it was actually organised by T-Mobile, but aside from that it had all the hallmarks: A group of people who turn up, do something, melt away afterwards, and most important of all; the general public knows nothing about it.
What we have here is Reyn Ouwehand performing a fabulous modern version of the "Green Beret" theme by (the great) Martin Galway. It also happens to be an excellent example of what a single talented musician can do with a handful of instruments and a loop machine.